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Solstice Poems: Such a Tiny Light by Philip Kevin Paul

With out waking anyone, somehow I made it out of Mom’s bed and past my brothers who were in sleeping bags on the floor of our parent’s room. Dad was away, likely in Ottawa.
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Philip Kevin Paul is one of the poets writing Winter Solstice poems for us.

With out waking anyone, somehow

I made it out of Mom’s bed and

past my brothers who were

in sleeping bags on the floor

of our parent’s room. Dad was away,

likely in Ottawa. By all accounts

I was a good sleeper up to then,

in December, 1975, when I was

already four-years-old. When mom

found me,

 

I was in the upstairs living room

pacing like a little man troubled

by some hitch from the day

and as the boy I actually was, I was

clicking my tongue as I paced

and occasionally whimpering,

 

Mom?

 

She collected me in her arms

and saddled me on her hip. With

the hand that wasn’t securing

me there, she turned my face to hers

and drew a short breath that never

became the question I responded to.

 

What would happen to me if you just disappeared?

 

Out on the back porch she pointed

to a light that was wavering because

the oaks on our side of it were

jerking in a winter wind, the one

that always seems to come out

in grand coughs with the hint of

the year’s first snow on its breath.

 

That’s Grandpa’s house,

 

she said. He’s that close. It was

the following December the night

terrors got me and, knowing

grandpa was no longer there,

and with just a hint of what it means

to simply disappear, I’d sit up in the

quiet dark and into what was and wasn’t

still there, shivering behind

the wet and naked oaks.

- - -

I am a W̱SÁNEĆ person, living on the Tsartlip Reservation. The area is referred to as W̱JOȽEȽP in the W̱SÁNEĆ language, SENĆOŦEN. I have spent my life helping my people in a number of different roles. I taught English and SENĆOŦEN at the Saanich Adult Education Centre in the centre’s literacy and upgrading program.

Before that, I worked with the Canadian Institute of Ocean Sciences developing a comprehensive map of traditional W̱SÁNEĆ territory in a project attempting to correlate traditional WSÁNE´ C knowledge and modern scientific “discovery.” I have spent many years contributing to the study of the SENĆOŦEN language, including a modest contribution to the creation of a SENĆOŦEN Dictionary published this summer.

Currently, I am writing a book based on traditional W̱SÁNEĆ stories which are contemporized not only by my interpretation of them, but by a modern W̱SÁNEĆ story told in company with the traditional stories. This work is being done through the University of Northern Texas.

I have been an instructor in the University of Victoria’s writing department and will be co-teaching a course named A Sense of Place again in UVic’s writing department in 2019. I have a BA in writing and English and a master’s of fine arts, both from UVic.

My first book, Taking the Names Down from the Hill, won the B.C. Book Prize for poetry and my second book, Little Hunger, was shortlisted for both the Re-Lit award and the Governor General’s award.

Such a Tiny Light represents my conversation with and sensitivity to mortality and loss.